R. H. Quaytman. Installation view of O Tópico, Chapter 27 at Gladstone Gallery, New York. Photo by David Regen, courtesy of Gladstone Gallery, New York and Brussels.
“I think that I’m only half there with my paintings, anyway—only at the very beginning, and I want to shift that focus tending toward the artist as the thing of interest not the art work. Women artists especially are subject to that kind of personal scrutiny. So I felt the need to steer clear of the ‘personal.’”